The majority of the feminist debates on pornography were initiated by events such as the 1976 presentation of the film Snuff, in which a woman was shown being mutilated for the audience's sexual satisfaction. Although some of them, such as Andrea Dworkin, claimed that even 'erotica' was too much like pornography to be considered feminist. A third group, the anti-porn feminists, maintained throughout the 1980s that it was in principle impossible, because 'feminist pornography is a contradiction in terms' or 'an oxymoron', and that whatever was feminist but appeared to be pornographic should instead be labelled ' erotica' Feminist, Gloria Steinem, discussed how pornography promoted unequal power dynamics, while erotica represents sex as a positive expression of sexuality. Others in the middle said it may be possible, but they had not seen any examples of it yet (1981). Some feminists, later known as sex-positive feminists, argued that it was, but it still had to be made, sometimes giving a rough sketch of what that should or would look like (for example, Ann Garry's plot in 1983). 1975–1983) įrom the mid-1970s up until 1983, it was mostly a theoretical discussion amongst feminists (including some self-identified feminist men) whether making feminist porn was even possible. Discussion įurther information: Feminist views on pornography and Anti-pornography feminism Theoretical origins (c.
The overall aim of feminist porn is to empower the performers who produce it and the people who view it.
Feminist porn seeks to challenge ideas about desire, beauty, gratification, and power through unconventional representations, aesthetics, and film making styles. Feminist pornography is porn that is produced in a fair manner, where performers are paid a reasonable salary and treated with care and esteem, their consent, safety, and well-being are vital, and what they bring to the production is appreciated. Tristan Taormino, who is a sex educator, feminist pornographer, and co-editor of The Feminist Porn Book, defines feminist pornography as dedicated to gender equality and social justice. The conflict between the two waves causes many struggles between these different feminist views of pornography. However, many second-wave feminists believe that the oppression and/or sexual objectification of women is inherent in all pornography involving them. Many third-wave feminists are open to seeking freedom and rights of sexual equality through entering the adult entertainment workforce. These awards spread awareness amongst a broader audience, extra media exposure, and assistance in uniting a community of filmmakers, performers, and fans. It acquired momentum in the 2000s because of the Feminist Porn Awards, originated by Good For Her in Toronto in 2006. The debate was particularly vehement during the feminist sex wars of the 1980s, which is when feminist porn originated. 2.2 Rise of feminist pornography (1984–1990)įeminists have debated pornography ever since the women's movement commenced.
0 kommentar(er)
